My work proposes elements of design, placement and choice towards various spectacles in society, with my current concerns revolving around the display of imagery and visual communication. There are continuous gestures relating to permanence, existence, spectacle and language in my work, in some way questioning or re-addressing a relationship with it. It is most often through photography that I formalise my work, as it is a medium that deals with image, design and the dialogue of spectacle most directly. ‘Shit Sprayed Chrome’ attempts to create a conversation between notions of Guy Debord’s and the situationists as well as the medium of photography.